Filed Under:Philadelphia

The War on Drugs Do WXPN’s Free At Noon, Hit Other Music on Monday

Fishtown rise up. Today, Philly’s The War on Drugs went into their hometown’s own WPXN for a live Free at Noon session, ploughing through some cuts from Slave Ambient, the inspired sophomore record due next week. Adam Granduciel rides his guitar like a wild, bucking mare, his amp threatening explode/implode at points through the set. The band is in lock step — albeit in that shambling, charming way that makes The War on Drugs the band we love oh-so dearly. You can listen to the entire affair HERE.

Next week, the day before the US release of Slave Ambient, the band has a in-store at NYC’s venerable Other Music. It starts at 8 p.m. It’s completely free. And the store will be slinging the new record for a crazy low price. New Yorkers, mount up. Check it HERE.

If you’re not headed to Other Music, have you PRE-ORDERED YOUR COPY YET?

The War on Drugs Deliver ‘Slave Ambient’ Aug. 16

On their debut, the life-affirming Wagonwheel Blues, and the follow-up EP, Future Weather, Philly’s The War on Drugs seemed obsessed with disparate ideas, with building uncompromised rock monuments from pieces that may have seemed like odd pairs. Folk-rock marathons come damaged by drum machines. Electronic and instrumental reprises precede songs they’ve yet to play, and Dr. Seuss becomes lyrical motivation for bold futuristic visions. Now, Granduciel has done it again, better than before: Slave Ambient (Out Aug. 16), their proper second album, is a brilliant 47-minute sprawl of rock ‘n’ roll, conceptualized with a sense of adventure and captured with seasons of bravado.

LISTEN TO “BABY MISSILES” FROM SLAVE AMBIENT

Slave Ambient features a team of Philadelphia’s finest musicians, including multi-instrumentalists Dave Hartley and Robbie Bennett, and drummer Mike Zanghi. Recorded throughout the last four years at Granduciel’s home studio in Philly, Jeff Ziegler’s Uniform Recording and Echo Mountain in Asheville, NC, the album puts the weirdest influences in just the right places. Synthesizers fall where you might expect more electric guitars (and vice versa); country-rock sidles up to the warped extravagance of ’80s pop. Instant classic “Baby Missiles” is part Spingsteen fever dream, part motorik anthem “Original Slave” might sound like a hillbilly power drone, but “City Reprise #12″ suggests Phil Collins un-retiring to back Harmonia. “I Was There” is Harvest rebuilt by some selection of psychedelic all-stars, while the shuffling, sleepy opener “Best Night” offers a band with too many ideas to be in a hurry. During the mid-album centerpiece “Come to the City,” Granduciel howls and moans, “All roads lead to me/I’ve been moving/I’ve been drifting.” Indeed, however unlikely that might seem, all these sounds arrive cohesively in one unmistakable place. Every song on Slave Ambient is instantly identifiable and infinitely intricate, a latticework of ideas and energies building into mile-high rock anthems. It’s a remarkable work for which we have an enormous pride and respect. And for which the story is only just beginning.

AUDIO

All White Everything by JJ
Wedding Day by Anand Wilder & Maxwell Kardon
Her Ghost by Woman's Hour
Aerosol Can (feat. Pharrell Williams) by Major Lazer
Pulsing (feat. Nina K) by Tomas Barfod
Red Eyes by The War On Drugs
Silver Timothy by Damien Jurado

VIDEOS

Busy Baby (feat. Nina K) by Tomas Barfod

Innocence by Electric Youth

Conversations by Woman's Hour

COMING SOON

JJ
V
CD / LP
Electric Youth
Innerworld
CD / LP

SHOWS TODAY

Cayucas
Salt Lake City, UT - Kilby Court

The War On Drugs
Vancouver, BC - Rickshaw Theatre

Zero Boys
Kiel, DE - Schaubude

See all upcoming shows