Shura – religion (u can lay your hands on me)
Today Alex Cameron announces Alex Cameron Live in San Francisco, out April 19th via Secretly Canadian and Castle Face Records. An intimate evening with Alex and his indispensable sax man, Roy Molloy (beard in briefcase) performing at the Swedish American Hall in San Francisco, a classy and lovingly maintained venue originally built in 1907 on Market Street.
Read the following from Castle Face’s Matt Jones:
“I was first introduced to Alex Cameron by Adam Beris, a real swell fellow who’s been drawing Castle Faces for us for years. He asked if I had heard of this “Suicide meets sad Springsteen” act and showed me the mysterious Geocities-style website (complete with shady porn ads). I was immediately hooked on the skeletal throb, the stark portraits of hard luck losers, the ego-maniacal squares, and the swagger on this prosthetically wrinkled Australian song & dance man. On a paid website, as he reminds us. Both sharp witted and steeped in thespian courage, this is exactly what the world needed in this hungry, hungry time we live in. We got in touch, things led to other things, and when Alex was opening for Oh Sees at the Chapel in San Francisco we hatched a plan to make a live record, over white wine spritzers (as all the best deals are inked).
Al and Roy are the real deal, folks…and this wasn’t to be just any old show. I was determined to do something a little special, and I got the idea from working on John’s book of poster art (Exploded Globes) to bill it as a semi-formal, encourage people to “get dressed up and messed up” as John puts it, and do it in a classy sort of hall, make it muy romantico. We got flowers from the Mission De Flores (who have sadly joined the ghost ranks of SF small businesses past), one of which made it to the cover, the champagne and fine wines flowed, and I like to think we helped San Francisco get a little luckier that night. There’s flower petals all over the mix here; Roy’s sax slinks sultrily, Al is in fine form, adding the occasional barb on the stem, sounding well oiled and comfortably bantering between tunes, and Justin Nijssen hangs back and window-dresses the whole thing with some well placed guitar and a few backups. These are professionals, need I remind you, hard workin’ road dogs with deep thoughts that inspire deep respect, and they put some dancing sweat on all the hits from Jumping The Shark as well as “Candy May” from Forced Witness, which at the time wasn’t yet out.
We couldn’t be prouder of our final “Live In SF” disc, and it’s out on Castle Face Records in partnership with Secretly Canadian April 19th.”
Shura has today announced second album 'forevher,' which will be released August 16th via Secretly Canadian. The record is launched alongside a stunning video for new single "religion (you can lay your hands on me)."
The past month has seen remixes of select Steven A. Clark songs from his latest album 'Where Neon Goes To Die' from Helado Negro and Theophilus London. Today Amtrac has remixed “Found” from the album capping off the remix series.
Whitney, the Chicago-based band led by vocalist/drummer Julien Ehrlich and guitarist Max Kakacek, will release their sophomore album, 'Forever Turned Around,' on August 30th. On the follow up to their much-beloved debut, 2016’s 'Light Upon the Lake,' Ehrlich and Kakacek grapple with the anxiety and acceptance that time is limited and navigate questions of mortality, doubt, love, and friendship.
Faye Webster, the 21-year-old Atlanta-based singer-songwriter and decorated photographer, releases her third full-length album, 'Atlanta Millionaires Club,' today via Secretly Canadian. 'Atlanta Millionaires Club' is an album stitched together by intimate songwriting about lonesomeness in spite of Webster’s connection to a larger community.